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<channel><title><![CDATA[ROSIE HALLETT - News n\' Musings]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings]]></link><description><![CDATA[News n\' Musings]]></description><pubDate>Wed, 12 Aug 2026 13:29:05 -0700</pubDate><generator>Weebly</generator><item><title><![CDATA[No Men, No Boats, No Problems]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/no-men-no-boats-no-problems]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/no-men-no-boats-no-problems#comments]]></comments><pubDate>Mon, 15 Oct 2018 22:50:47 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/no-men-no-boats-no-problems</guid><description><![CDATA[&nbsp;We're about to start previews -- it's a great time to get your tickets to MEN ON BOATS!October 17 - December 16, 2018ACT's Strand Theatre&lt;&lt; Here's us having some fun around the campfire in tech!​ [...] ]]></description><content:encoded><![CDATA[<div><div id="417025543600824178" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><iframe width="560" height="315" src="https://www.youtube.com/embed/mETZsRxEpeg" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe></div></div><div class="wsite-spacer" style="height:25px;"></div><span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:132px;position:relative;float:left;max-width:100%;;clear:left;margin-top:5px;*margin-top:10px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/published/campfire.jpg?1539644729" style="margin-top: 20px; margin-bottom: 0px; margin-left: 10px; margin-right: 10px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image"></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -0px; margin-bottom: 0px; text-align: center;" class="wsite-caption"></span></span><div class="paragraph" style="text-align:center;display:block;"><font size="1">&nbsp;</font><br><strong><font color="#2A2A2A">We're about to start previews -- it's a great time to get your <a href="http://www.act-sf.org/home/box_office/1819_season/men_on_boats.html" target="_blank">tickets</a> to MEN ON BOATS!<br>October 17 - December 16, 2018<br>ACT's Strand Theatre<br>&lt;&lt; <em>Here's us having some fun around the campfire in tech!</em>&#8203;</font></strong></div><hr style="width:100%;clear:both;visibility:hidden;">]]></content:encoded></item><item><title><![CDATA[Eat Your Pho at BAPF in San Francisco]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/eat-your-pho-at-bapf-in-san-francisco]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/eat-your-pho-at-bapf-in-san-francisco#comments]]></comments><pubDate>Tue, 17 Jul 2018 07:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/eat-your-pho-at-bapf-in-san-francisco</guid><description><![CDATA[ I'm delighted to be taking part in the 2018 Bay Area Playwrights Festival! This year, I'm working on Colonialism is Terrible but Pho is Delicious by Dustin Chinn. Here's the blurb:Our starter takes place in 19th-century French Indochina, where a native finds herself in the kitchen of a colonial aristocrat. The second serving finds us in 1990&rsquo;s Ho Chi Minh city as two Americans make first contact with the local breakfast. And for dessert, the charms of gentrifying modern-day Brooklyn. Colo [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/pws-group-photo_orig.png" style="margin-top: 10px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">I'm delighted to be taking part in the 2018 Bay Area Playwrights Festival! This year, I'm working on <em>Colonialism is Terrible but Pho is Delicious</em> by <a href="http://www.dustinchinn.com" target="_blank">Dustin Chinn</a>. Here's the blurb:</font></strong><br /><br /><font color="#2a2a2a"><strong><em>Our starter takes place in 19th-century French Indochina, where a native finds herself in the kitchen of a colonial aristocrat. The second serving finds us in 1990&rsquo;s Ho Chi Minh city as two Americans make first contact with the local breakfast. And for dessert, the charms of gentrifying modern-day Brooklyn.</em></strong></font> <strong><em><font color="#2a2a2a">Colonialism is Terrible but Pho is Delicious is a</font> <font color="#2a2a2a">three-course tasting menu of the tension that simmers between authorship and ownership across food culture, told across the history of Vietnamese noodle soup.<br />&#8203;</font></em></strong><br /><font color="#2a2a2a"><strong>There are six fantastic plays in this year's festival - discover the line-up at&nbsp;https://playwrightsfoundation.org/bapf2018. Performances run from July 22 - 29 at Potrero Stage.</strong></font></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[Going for the Gold in a Red Speedo]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/going-for-the-gold-in-a-red-speedo]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/going-for-the-gold-in-a-red-speedo#comments]]></comments><pubDate>Mon, 29 Jan 2018 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/going-for-the-gold-in-a-red-speedo</guid><description><![CDATA[February to do list:1. Watch Tessa Virtue and Scott Moir go for Ice Dancing Gold at the 2018 PyeongChang Winter Olympics2. Watch Ray and ex-girlfriend/drug dealer Lydia go for Performance Gold at Center Rep in&nbsp;Red Speedo: centerrep.org/season1718/redspeedo.php        [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><strong><font color="#2a2a2a">February to do list:<br />1. Watch Tessa Virtue and Scott Moir go for Ice Dancing Gold at the 2018 PyeongChang Winter Olympics<br />2. Watch Ray and ex-girlfriend/drug dealer Lydia go for Performance Gold at Center Rep in&nbsp;<em>Red Speedo: </em></font>centerrep.org/season1718/redspeedo.php</strong></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:right"> <a> <img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/published/lydiaray_1.jpg?1539642049" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>]]></content:encoded></item><item><title><![CDATA[Avant-Bard Theatre]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/avant-bard-theatre]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/avant-bard-theatre#comments]]></comments><pubDate>Wed, 12 Jul 2017 07:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/avant-bard-theatre</guid><description><![CDATA[ I was so inspired by The Wooster Group's&nbsp;The Town Hall Affair,&nbsp;which I saw in San Francisco in April, that I hopped a plane to join them for a month in upstate New York! I am apprenticing with The Wooster Group as they develop and premiere&nbsp;A Pink Chair (in Place of a Fake Antique), a play about the work of Polish director Tadeusz Kantor. Tickets for this Bard SummerScape production are available here if you find yourself in the Hudson Valley. Liz LeCompte directs.&nbsp;    &#8203 [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:auto;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/apc_orig.jpg" style="margin-top: 5px; margin-bottom: 10px; margin-left: 20px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">I was so inspired by The Wooster Group's&nbsp;<em>The Town Hall Affair,</em>&nbsp;which I saw in San Francisco in April, that I hopped a plane to join them for a month in upstate New York! I am apprenticing with The Wooster Group as they develop and premiere&nbsp;<em>A Pink Chair (in Place of a Fake Antique), </em>a play about the work of Polish director Tadeusz Kantor. Tickets for this Bard SummerScape production are available <a href="http://fishercenter.bard.edu/summerscape/" target="_blank">here </a>if you find yourself in the Hudson Valley. Liz LeCompte directs.&nbsp;</font></strong></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/editor/image-2.jpeg?1513739216" style="margin-top: 10px; margin-bottom: 10px; margin-left: 0px; margin-right: 20px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><font color="#2a2a2a">&#8203;This has been the best summer camp ever ... heady days in the rehearsal room with Liz, Jennifer Tipton, Kate Valk, and the rest of the brilliant Wooster Group, fancy-free evenings of BBQ and beer pong, and wild weekends at the famous Bard SPIEGELTENT, pictured here during a quieter moment . . .<br /><br />My favorite quote from the rehearsal room was Liz d</font></strong><strong><font color="#2a2a2a">eclaring "This is my last show with human beings. From now on, robots." This woman is a goddess, for anyone who didn't know that already. Thank you, Woosters, for an amazing experience. I can't wait for the next chance to intern/intersect!&nbsp;</font></strong></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[Smut is Happening Nightly At ZBelow in SF Through June 11]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/smut-is-happening-nightly-at-zbelow-in-sf-through-june-11]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/smut-is-happening-nightly-at-zbelow-in-sf-through-june-11#comments]]></comments><pubDate>Fri, 26 May 2017 23:02:57 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/smut-is-happening-nightly-at-zbelow-in-sf-through-june-11</guid><description><![CDATA[ Smut&#8203;, Word for Word Performing Arts Company's&nbsp;adaptation of Alan Bennett's novella, is running now through June 11 at ZBelow in San Francisco.&nbsp;I am excited about this play because it upends outdated assumptions about female sexuality! Smut&#8203; provides an all-too-rare acknowledgement that women and mothers above a certain age continue to feel sexual desire, and celebrates sex&nbsp;that&nbsp;eschews old-fashioned norms and models of monogamy. It also explores how a creative a [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/sm-72-4mb-1600467_orig.jpg" style="margin-top: 10px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><em><span><font color="#000000">Smut</font></span></em></strong><strong><span><font color="#000000">&#8203;, Word for Word Performing Arts Company's&nbsp;adaptation of Alan Bennett's novella, is running now through June 11 at ZBelow in San Francisco.&nbsp;</font></span></strong><br /><br /><span><strong><span><font color="#000000">I am excited about this play because it upends outdated assumptions about female sexuality! </font></span></strong><em><strong><span><font color="#000000">Smut</font></span></strong></em><strong><span><font color="#000000">&#8203; provides an all-too-rare acknowledgement that women and mothers above a certain age continue to feel sexual desire, and celebrates sex&nbsp;that&nbsp;eschews old-fashioned norms and models of monogamy. </font></span></strong></span><span><strong><span><font color="#000000">It also explores how a creative awakening can spark a sexual one -- and vice-versa. Rock on!</font></span></strong><br /><br /><strong><span><font color="#000000">&#8203;Lily Janiak of the SF Chronicle writes that the play "titillates . . . with the inward war we must all wage for our right to be deviant, to find pleasure and joy . . ." Come see for yourself, Wednesdays through Sundays, through June 11. Tickets can be purchased </font><a href="https://web.ovationtix.com/trs/pr/970954?_ga=2.120241418.327739356.1495842148-1935857856.1495672212" target="_blank"><span style="color:windowtext"><u>here</u></span></a><font color="#000000">; 20%-off tickets are available with the code "StandardP" for anyone who has worked as a standardized patient.</font></span></strong></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[Peerless at Marin Theatre Company Must Close April 2]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/peerless-at-marin-theatre-company]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/peerless-at-marin-theatre-company#comments]]></comments><pubDate>Mon, 27 Mar 2017 07:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/peerless-at-marin-theatre-company</guid><description><![CDATA[       &#8203;peerless&#8203; &#8203;by Jiehae Park, directed by Margot Bordelon, is in its final week of performances at Marin Theatre Company! Join us Tuesday through Saturday at 7:30 p.m., plus Saturday and Sunday at 2 p.m. More information is available here.&#8203;Pictured: Dirty Girl (Rosie Hallett) and M (Tiffany Villarin) in the scene "Consultation." Advice/prophecies gladly given in exchange for cigs and sandwiches.  [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/peerless2_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph"><em>&#8203;</em><em><strong><span><font color="#000000">peerless&#8203; </font></span></strong></em><strong><span><font color="#000000">&#8203;by Jiehae Park, directed by Margot Bordelon, is in its final week of performances at Marin Theatre Company! Join us Tuesday through Saturday at 7:30 p.m., plus Saturday and Sunday at 2 p.m. More information is available </font><a href="http://www.marintheatre.org/productions/peerless" target="_blank"><span style="color:windowtext"><u>here</u></span></a><font color="#000000">.<br /><br />&#8203;Pictured: Dirty Girl (Rosie Hallett) and M (Tiffany Villarin) in the scene "Consultation." Advice/prophecies gladly given in exchange for cigs and sandwiches.</font></span></strong> <br /></div>]]></content:encoded></item><item><title><![CDATA[Peerless at Marin Theatre Company, March 9 - April 2, 2017]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/peerless-at-marin-theatre-company-march-9-april-2-2017]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/peerless-at-marin-theatre-company-march-9-april-2-2017#comments]]></comments><pubDate>Sun, 05 Mar 2017 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/peerless-at-marin-theatre-company-march-9-april-2-2017</guid><description><![CDATA[ I'm so happy to be back at Marin Theatre Company this spring for another show in their 50th anniversary season. Here's the blurb for peerless&#8203;, by Jiehae Park, directed by Margot Bordelon:&#8203;Twin sisters &ldquo;M&rdquo; and &ldquo;L&rdquo; care about two things in this world: academic ambition, and each other. But when M&rsquo;s supposed shoo-in slot at a prestigious university is given to someone else, the sisters begin to strategize how to secure their success by any means necessary [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:520px;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/editor/peerlessbanner_2.jpg?1493053537" style="margin-top: 5px; margin-bottom: 10px; margin-left: 20px; margin-right: 10px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><span><font color="#000000"><strong>I'm so happy to be back at Marin Theatre Company this spring for another show in their 50th anniversary season. Here's the blurb for <em>peerless</em>&#8203;, by <a href="http://www.jiehaepark.com" target="_blank">Jiehae Park</a>, directed by <a href="http://www.margotbordelon.com" target="_blank">Margot Bordelon</a>:<br /><br />&#8203;Twin sisters &ldquo;M&rdquo; and &ldquo;L&rdquo; care about two things in this world: academic ambition, and each other. But when M&rsquo;s supposed shoo-in slot at a prestigious university is given to someone else, the sisters begin to strategize how to secure their success by any means necessary.&nbsp;Taking&nbsp;a page from a certain Scottish tragedy,&nbsp;the sisters' sinister scheming leads to bloody extracurricular activities that could take them to the top.&nbsp;Jiehae Park&rsquo;s new&nbsp;dark comedy&nbsp;is a savage satire on academia, teenagers and race, and made The Kilroys&rsquo; 2015 List of the best new plays by female playwrights.</strong></font></span><br /><br /><font color="#000000"><strong>&#8203;The cast includes Tiffany Villarin as M, </strong></font><a href="http://www.rinabeth.com/" target="_blank"><strong>Rinabeth Apostol</strong></a><font color="#000000"><strong> as L, </strong></font><a href="http://www.actorjeremykahn.com/" target="_blank"><strong>Jeremy Kahn</strong></a><strong><font color="#000000"> as D/D's Brother, Cameron Matthews as BF, and Rosie Hallett as Dirty Girl/Preppy Girl. Sean McStravick provides stage management.<br /><br />&#8203;Previews begin March 9, with Opening Night March 14. We run Tuesdays through Sundays in Mill Valley -- tix and more info&nbsp;available </font></strong><a href="http://www.marintheatre.org/productions/peerless" target="_blank"><span style="color:windowtext"><u><strong>here</strong></u></span></a><font color="#000000"><strong>.</strong></font><span><font color="#000000">&nbsp;</font></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <div class="wsite-spacer" style="height:50px;"></div>]]></content:encoded></item><item><title><![CDATA[Native Son at Marin Theatre Company, January 19 - February 12]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/native-son-at-marin-theatre-company]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/native-son-at-marin-theatre-company#comments]]></comments><pubDate>Thu, 12 Jan 2017 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/native-son-at-marin-theatre-company</guid><description><![CDATA[ I am incredibly honored and grateful to be a part of Marin Theatre Company's &#8203;Native Son&#8203;, an adaptation of Richard Wright's novel by Nambi E. Kelley and directed&nbsp;by Seret Scott.&#8203;Bigger Thomas dares to want more out of life. Things start looking up when he lands a plum job with the well-to-do Dalton family, but their daughter Mary proves to be as dangerous as she is alluring. A fateful decision sends Bigger down a violent and inescapable path. Misrepresented and underesti [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/published/native-son2.jpeg?1493062717" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 20px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><span><font color="#000000">I am incredibly honored and grateful to be a part of Marin Theatre Company's </font></span></strong><em><strong><span><font color="#000000">&#8203;Native Son</font></span></strong></em><strong><span><font color="#000000">&#8203;, an adaptation of Richard Wright's novel by </font><a href="http://www.nambikelley.com/" target="_blank"><span style="color:windowtext"><u>Nambi E. Kelley</u></span></a><font color="#000000"> and directed&nbsp;by </font><a href="http://sdcweb.org/staff/seret-scott/" target="_blank"><span style="color:windowtext"><u>Seret Scott</u></span></a><font color="#000000">.</font></span></strong><br /><br /><strong><span><strong><span><font color="#000000">&#8203;Bigger Thomas dares to want more out of life. Things start looking up when he lands a plum job with the well-to-do Dalton family, but their daughter Mary proves to be as dangerous as she is alluring. A fateful decision sends Bigger down a violent and inescapable path. Misrepresented and underestimated by everyone around him, Bigger has no one to turn to except himself. Using W.E.B. DuBois' theory of double consciousness as a guiding principle, this fresh 90-minute adaptation of <em>Native Son</em> focuses on the landscape inside the mind of Bigger Thomas, bringing the power of Richard Wright&rsquo;s novel to life for a whole new generation. MTC is proud to bring Ms. Kelley&rsquo;s heart-stopping, urgent, and expressionistic adaptation of Wright&rsquo;s groundbreaking novel to the West Coast, following its sold-out world premiere at Chicago&rsquo;s Court Theatre in 2014.</font></span></strong><br /><br /><strong><span><font color="#000000">&#8203;The ensemble is led by Jerod Haynes as Bigger, with </font><a href="http://www.msryannicole.com/" target="_blank"><span style="color:windowtext"><u>Ryan Nicole Austin</u></span></a><font color="#000000"> as Bessie/Vera, Rosie Hallett as Mary Dalton, William Hartfield as Black Rat, </font><a href="http://patrickkellyjones.com/" target="_blank"><span style="color:windowtext"><u>Patrick Kelly Jones</u></span></a><font color="#000000"> as Britten, Adam Magill as Jan, </font><a href="http://danealej.wixsite.com/danetroy" target="_blank"><span style="color:windowtext"><u>Dane Troy</u></span></a><font color="#000000"> as Buddy, </font><a href="https://www.courtneywalsh.net/" target="_blank"><span style="color:windowtext"><u>Courtney Walsh</u></span></a><font color="#000000"> as Mrs. Dalton, and C. Kelly Wright as Hannah. Sean McStravick provides stage management.</font></span></strong><br /><br /><em><span><font color="#000000">Native Son</font></span></em><strong><span><font color="#000000">&#8203; will run Tuesdays through Sundays, January 19 through February 12, at Marin Theatre Company in Mill Valley, California.&nbsp;Tickets and further information available&nbsp;</font><a href="http://www.marintheatre.org/productions/native-son" target="_blank"><span style="color:windowtext"><u>here</u></span></a><font color="#000000">.</font></span></strong></span></strong></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/editor/mtc-native-son-hallett-hartfield-haynes-magill-hires.jpg?1493062662" style="margin-top: 10px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[Comment on Dit "Santa's Helper" En Français?]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/comment-on-dit-santas-helper-en-francais]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/comment-on-dit-santas-helper-en-francais#comments]]></comments><pubDate>Mon, 05 Dec 2016 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/comment-on-dit-santas-helper-en-francais</guid><description><![CDATA[ Ho, ho, ho! Christmas is coming so let's put on a show! I may not know how to say "elf" in French, but that hasn't stopped me from laughing all the way through the rehearsal process of "And Who's Richie Now?" by former Ensemble Studio Theatre Youngblood Christopher Sullivan. Come join us to see if we can pull the mall's star Santa out&nbsp;of his&nbsp;holiday funk. Our merry band of&nbsp;mall employees includes Robert Hoehn as Santa, Darcy&nbsp;Ruscio as Connor, Guillaume Rumiel Braun as James, [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='display: table;width:auto;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/published/xmas_2.png?1493021341" style="margin-top: 10px; margin-bottom: 10px; margin-left: 10px; margin-right: 20px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><span style="color:black">Ho, ho, ho! Christmas is coming so let's put on a show! I may not know how to say "elf" in French, but that hasn't stopped me from laughing all the way through the rehearsal process of "And Who's Richie Now?" by former Ensemble Studio Theatre Youngblood <a href="http://www.christophersullivan.org" target="_blank">Christopher Sullivan</a>. Come join us to see if we can pull the mall's star Santa out&nbsp;of his&nbsp;holiday funk. Our merry band of&nbsp;mall employees includes Robert Hoehn as Santa, Darcy&nbsp;Ruscio as Connor, Guillaume Rumiel Braun as James, Ralph Bismargi as&nbsp;Dill, and Rosie Hallett as Casey. Jeremy Coffman directs.</span></strong></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>  <span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;width:auto;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a href='http://www.thebigfunkcompany.com/' target='_blank'><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/bfc_1_orig.jpg" style="margin-top: 20px; margin-bottom: 10px; margin-left: 20px; margin-right: 0px; border-width:0; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="display:block;"><strong><span style="color:black">"And Who's Richie Now?"&nbsp;is one of&nbsp;four pieces featured in <a href="http://www.thebigfunkcompany.com" target="_blank">Big Funk Company's </a></span></strong><em><strong><span style="color:black"><a href="http://www.thebigfunkcompany.com" target="_blank">American Sundays: Holiday Edition</a></span></strong></em><strong><span style="color:black"><a href="http://www.thebigfunkcompany.com" target="_blank">&#8203;</a>, happening on December 11&nbsp;at 12h at the Petit Th&eacute;&acirc;tre Du Gymnase, 38 Boulevard de Bonne Nouvelle, 75010 (Metro Bonne Nouvelle).&nbsp;For tickets (25 Euros for the show and brunch), email the bigfunkcompany@gmail.com.</span></strong><br /><br /><strong><span style="color:black">'Tis the season to be jolly and what better way to celebrate than by being entertained by us, followed by devouring our sumptuous brunch. Presented in English, with French surtitles!</span></strong><br /><br /><strong><span style="color:black"><strong><span>&#8203;Apr&egrave;s un spectacle &agrave; guichets ferm&eacute;s, les AMERICAN SUNDAYS sont de retour pour vous faire entrer dans la plus festive des saisons. Rejoignez les c&eacute;l&eacute;brations et profitez de toutes les merveilles - et tout le stress - de cette p&eacute;riode magique de l'ann&eacute;e. En anglais, surtitr&eacute; en fran&ccedil;ais!</span></strong></span></strong><br />&#8203;</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[The Mechanics of Love]]></title><link><![CDATA[https://www.rosiehallett.com/news-n-musings/the-mechanics-of-love]]></link><comments><![CDATA[https://www.rosiehallett.com/news-n-musings/the-mechanics-of-love#comments]]></comments><pubDate>Mon, 02 Nov 2015 17:55:19 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.rosiehallett.com/news-n-musings/the-mechanics-of-love</guid><description><![CDATA[ I'm so happy to be working for a second time with Dipika Guha, a genre-defying writer who has also penned the plays The Rules and Herculine and Lola. Her new play The Mechanics of Love is featured in the Shotgun Champagne Staged Reading series this month. Here's the blurb:A man who forgets everything falls in love with a ballerina who forgets nothing--that is, until she falls in love with him. And his wife. And the mechanic. This&nbsp;madcap comedy explores how we love, how we choose, and the c [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:58px'></span><span style='display: table;width:362px;position:relative;float:left;max-width:100%;;clear:left;margin-top:20px;*margin-top:40px'><a><img src="https://www.rosiehallett.com/uploads/2/5/5/7/25579375/3025497.jpg?352" style="margin-top: 10px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; none; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:justify;display:block;"><strong><font color="#2a2a2a">I'm so happy to be working for a second time with Dipika Guha, a genre-defying writer who has also penned the plays <em>The Rules</em> and <em>Herculine and Lola</em><em>. </em>Her new play <em><font color="#24678d">The Mechanics of Love </font></em>is featured in the Shotgun Champagne Staged Reading series this month. Here's the blurb:<br /><br />A man who forgets everything falls in love with a ballerina who forgets nothing--that is, until she falls in love with him. And his wife. And the mechanic. This&nbsp;madcap comedy explores how we love, how we choose, and the cost of making sense of it all.&nbsp;<br /><br /><a href="http://www.bethwilmurt.com/" target="_blank"><font color="#2a2a2a">Beth Wilmurt </font></a>directs; the cast includes Rosie Hallett, Chris Libby, Sarah Mitchell, and Aaron Murphy. The reading will be performed Monday, November 9 and Tuesday, November 10 at 7 p.m. at the Ashby Stage in Berkeley. Tickets are $15 in advance or $20 at the door. A talkback with the playwright follows Monday night's performance.</font></strong><br /></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item></channel></rss>